Description of Individual Course Units
Course Unit CodeCourse Unit TitleType of Course UnitYear of StudySemesterNumber of ECTS Credits
RES3122019175NEW AVANGARD APPROACHESElective363
Level of Course Unit
First Cycle
Objectives of the Course
It focuses on how the avant-garde phenomenon should be read today.
Name of Lecturer(s)
Dr. Öğr. Üyesi Jale Asya Kahraman Özyılmaz
Learning Outcomes
1One realizes the importance of the potential of the avant-garde for contemporary art.
2One grasps the conceptual periphery of the avant-garde that reveals the dynamics of contemporary art.
3While creating one's own art, acts with the awareness of avant-garde understandings.
Mode of Delivery
Formal Education
Prerequisites and co-requisities
None.
Recommended Optional Programme Components
It is recommended that 20th century art movements should be researched.
Course Contents
The origins of the avant-garde's potential for contemporary art are explored. The expressions in the journey of these origins that reveal the dynamics of today's art are examined.
Weekly Detailed Course Contents
WeekTheoreticalPracticeLaboratory
1The historical process of the avant-garde is discussed. The historical Avant-garde and Bürger are studied.
2The critique on the historical avant-garde continues.
3Studies are carried out on the relation of the avant-garde with the Frankfurt School. The approaches of thinkers such as Clement Greenberg are criticized.
4Popular culture and kitsch are revealed in the avant-garde.
5Embodying the mind in avant-garde art.
6The concept of art after 1960 and the new avant-garde
7
8The problem of simulation, appropriation, representation.
9Reorders the relation between prewar and postwar avant-gardes.
10The new avant-garde of expression
11New avant-garde critique
12The new avant-garde critique continues.
13student practices.
14Final examination.
Recommended or Required Reading
Şahiner, Rıfat. Sanatta Postmodern Kırılmalar ya da Modernin Yapıbozumu. İstanbul: Yeni İnsan Yayınevi, 2008. Lyotard, F.Jean. “Sanat Yapıtının Eleştiri İşlevi Üzerine Notlar”. Resmi Görüş Dergisi. Deneme Sayısı (İstanbul: 1999) Artun, Ali. “Modernliğin Sınırında II- Sanat” http://www.aliartun.com/content/detail/26 Kuspit, Donald. Sanatın Sonu. çev. Yasemin Tezgiden. 2.bs. İstanbul: Metis Yayınları, 2006. Kumar, Krishan. Çağdaş Dünyanın Yeni Kuramları. çev. Mehmet Küçük. 2.bs. Ankara: Dost Yayınları, 2004 Stauth, Georg – Turner, Bryan S. “Nostalji, Postmodernizm ve Kitle Kültürü”. Modernite Versus Postmodernite. ed. Mehmet Küçük. Ankara: Vadi yayınları,2003. Bürger, Peter. Avangard Kuramı. sunuş. Ali Artun. çev. Erol Özbek. 2. Baskı. İstanbul: İletişim yayınları, 2003. Lyotard, F.Jean. “Sanat Yapıtının Eleştiri İşlevi Üzerine Notlar”. Resmi GörüşDergisi. Deneme Sayısı Foster, Hal. Gerçeğin Geri Dönüşü. çev. Esin Hoşsucu. İstanbul: Ayrıntı Yayınları, 2009. Delat, Chto - Ranciere, Jacques. “You can’t Anticipate Explosions” http://www.chtodelat.org Sanat Hayali, Yönetim Disiplini ve Sanat Yönetimi Avangard ve Taylorizm”, http://www.aliartun.com/content/detail/21
Planned Learning Activities and Teaching Methods
Assessment Methods and Criteria
Term (or Year) Learning ActivitiesQuantityWeight
SUM0
End Of Term (or Year) Learning ActivitiesQuantityWeight
SUM0
Yarıyıl (Yıl) İçi Etkinlikleri40
Yarıyıl (Yıl) Sonu Etkinlikleri60
SUM100
Language of Instruction
Work Placement(s)
Workload Calculation
ActivitiesNumberTime (hours)Total Work Load (hours)
Midterm Examination122
Final Examination122
Attending Lectures14228
Question-Answer515
Report Preparation4312
Report Presentation4520
Reading10110
TOTAL WORKLOAD (hours)79
Contribution of Learning Outcomes to Programme Outcomes
PO
1
PO
2
PO
3
PO
4
PO
5
PO
6
PO
7
PO
8
PO
9
PO
10
PO
11
PO
12
LO1  3 2       
LO2  2         
LO3  3         
* Contribution Level : 1 Very low 2 Low 3 Medium 4 High 5 Very High
 
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